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FAQ 1

Where did you go to school?

I received my B.A. from the University of Notre Dame inSouth Bend, Indiana. I received my M.A. from Northwestern University in Evanstson, Illinois. I received my professional phototraphy degree from Cooper School of Art in Cleveland, Ohio. I also completed postgraduate work at Cleveland State University, Kent State Unversity and DePaul University in Chicago.

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FAQ 2

Can you tell me in 100 words or less (and in plain English) just what it is that you do?

I work in the world of "business events." Specifically, my skills and experience are employed in the production and management of corporate and association events (e.g. sales meetings, conventions, conferences). These events are usually held in gargantuan convention centers (e.g. San Francisco’s Moscone Center, Chicago’s McCormick Place) or in fancy hotel ballrooms (usually called “grand” or “presidential,” which simply means they are big). The term “corporate event” is just a fancy way of saying “business meeting,” and in most cases, the two terms are interchangeable. Most business meetings (or corporate events) are called “shows” because they often employ production elements that are theatrical in nature (e.g. actors and entertainers) and almost always employ expensive, high-tech hardware (that is not always reliable) such as video projection, sound and lights. Think “rock and rock” for suits. Some meetings or venues are large, and some are small. Some are attended by thousands, others by less than a hundred. All are important. Number one rule: “You are only as good as your last show.” (The above explanation is actually 170 words, but I figured you weren't counting.)

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FAQ 3

Why the film reviews and music recommendations?  What do those things have to do with your career, skills and experience in events management and show production?

While this web site is essentially a career and capabilities resource, it is also a personal web site that reflects my interests (and passions). I figured that while I had your attention, I would sneak in a few “extras.”

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FAQ 4

What is the difference between an executive producer and a line producer?

An executive producer is responsible for the overall concept, design and creative vision of a given production, such as a film, video, event or meeting. A line producer is responsible for the details of executing that production. An executive producer gets all the credit. A line producer gets all the blame. An executive producer paints in broad strokes, thinks "big picture" and gets paids lots of money. A line producer doesn't get to paint anything, worries about a million details, and if all goes well, gets to keep his/her job.

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FAQ 5

Do you own a lot of equipment?

I do not own a lot of equipment. However like everyone else, over the years, I have acquired far too many computers, notebooks, peripherals, handheld devices and digital cameras, all of which seem to be outdated and destined for the dumpster the day after their purchase. I also own a house load of software manuals and far too many books on Adobe everything.

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FAQ 6

Are you expensive? How much do you charge?

I am not expensive. But I am good. My day rate is based on commonly accepted industry standards. My day rate can fluctuate and is normally based on the kind of work for which I am contracted. For example, a line producer is customarily paid a higher day rate than a graphics artist. A rate schedule for my services and on-site equipment rental is available upon request as a Word doc or PDF. See Rate Sheet on the Career page of this web site.

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